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By tales like these is the envy raised by superior abilities every
day gratified. When they are attacked every one hopes to see them
humbled; what is hoped is readily believed, and what is believed is
confidently told. Dryden had been more accustomed to hostilities
than that such enemies should break his quiet; and, if we can
suppose him vexed, it would be hard to deny him sense enough to
conceal his uneasiness.
"The City Mouse and Country Mouse" procured its authors more solid
advantages than the pleasure of fretting Dryden, for they were both
speedily preferred. Montague, indeed, obtained the first notice
with some degree of discontent, as it seems, in Prior, who probably
knew that his own part of the performance was the best. He had not,
however, much reason to complain, for he came to London and obtained
such notice that (in 1691) he was sent to the Congress at the Hague
as secretary to the embassy. In this assembly of princes and
nobles, to which Europe has perhaps scarcely seen anything equal,
was formed the grand alliance against Louis, which at last did not
produce effects proportionate so the magnificence of the
transaction.
The conduct of Prior, in this splendid initiation into public
business, was so pleasing to King William, that he made him one of
the gentlemen of his bedchamber; and he is supposed to have passed
some of the next years in the quiet cultivation of literature and
poetry.
The death of Queen Mary (in 1695) produced a subject for all the
writers--perhaps no funeral was ever so poetically attended.
Dryden, indeed, as a man discountenanced and deprived, was silent;
but scarcely any other maker of verses omitted to bring his tribute
of tuneful sorrow. An emulation of elegy was universal. Mary's
praise was not confined to the English language, but fills a great
part of the Musae Anglicanae.
Prior, who was both a poet and a courtier, was too diligent to miss
this opportunity of respect. He wrote a long ode, which was
presented to the king, by whom it was not likely to be ever read.
In two years he was secretary to another embassy at the Treaty of
Ryswick (in 1697), and next year had the same office at the court of
France, where he is said to have been considered with great
distinction. As he was one day surveying the apartments at
Versailles, being shown the "Victories of Louis," painted by Le
Brun, and asked whether the King of England's palace had any such
decorations: "The monuments of my master's actions," said he, "are
to be seen everywhere but in his own house."
The pictures of Le Brun are not only in themselves sufficiently
ostentatious, but were explained by inscriptions so arrogant, that
Boileau and Racine thought it necessary to make them more simple.
He was in the following year at Leo with the king, from whom, after
a long audience, he carried orders to England, and upon his arrival
became Under Secretary of State in the Earl of Jersey's office, a
post which he did not retain long, because Jersey was removed, but
he was soon made Commissioner of Trade.
This year (1700) produced one of his longest and most splendid
compositions, the "Carmen Seculare," in which he exhausts all his
powers of celebration. I mean not to accuse him of flattery; he
probably thought all that he writ, and retained as much veracity as
can be properly exacted from a poet professedly encomiastic. King
William supplied copious materials for either verse or prose. His
whole life had been action, and none ever denied him the resplendent
qualities of steady resolution and personal courage. He was really
in Prior's mind what he represents him in his verses; he considered
him as a hero, and was accustomed to say that he praised others in
compliance with the fashion, but that in celebrating King William he
followed his inclination. To Prior, gratitude would dictate praise,
which reason would not refuse.
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