the "Stratfordians." Not all Baconians hold that Bacon was the legitimate son of "that Imperial votaress" Queen Elizabeth. Not all believe in the Cryptogram of Mr. Ignatius Donnelly, or in any other cryptograms. Not all maintain that Bacon, in the Sonnets, was inspired by a passion for the Earl of Essex, for Queen Elizabeth, or for an early miniature of himself. Not all regard him as the author of the plays of Kit Marlowe. Not all suppose him to be a Rosicrucian, who possibly died at the age of a hundred and six, or, perhaps, may be "still running." Not all aver that he wrote thirteen plays before 1593. But one party holds that, in the main, Will was the author of the plays, while the other party votes for Bacon--or for Bungay, a Great Unknown. I use Bungay as an endearing term for the mysterious being who was the Author if Francis Bacon was not. Friar Bungay was the rival of Friar Bacon, as the Unknown (if he was not Francis Bacon) is the rival of "the inventor of Inductive reasoning."

I could never have expected that I should take a part in this controversy; but acquaintance with The Shakespeare Problem Restated (503 pp.), (1908), and later works of Mr. G. G. Greenwood, M.P., has tempted me to enter the lists.

Mr. Greenwood is worth fighting; he is cunning of fence, is learned (and I cannot conceal my opinion that Mr. Donnelly and Judge Holmes were rather ignorant). He is not over "the threshold of Eld" (as were Judge Webb and Lord Penzance when they took up Shakespearean criticism). His knowledge of Elizabethan literature is vastly superior to mine, for I speak merely, in Matthew Arnold's words, as "a belletristic trifler."

Moreover, Mr. Greenwood, as a practising barrister, is a judge of legal evidence; and, being a man of sense, does not "hold a brief for Bacon" as the author of the Shakespearean plays and poems, and does not value Baconian cryptograms. In the following chapters I make endeavours, conscientious if fallible, to state the theory of Mr. Greenwood. It is a negative theory. He denies that Will Shakspere (or Shaxbere, or Shagspur, and so on) was the author of the plays and poems. Some other party was, IN THE MAIN, with other hands, the author. Mr. Greenwood cannot, or does not, offer a guess as to who this ingenious Somebody was. He does not affirm, and he does not deny, that Bacon had a share, greater or less, in the undertaking.

In my brief tractate I have not room to consider every argument; to traverse every field. In philology I am all unlearned, and cannot pretend to discuss the language of Shakespeare, any more than I can analyse the language of Homer into proto-Arcadian and Cyprian, and so on. Again, I cannot pretend to have an opinion, based on internal evidence, about the genuine Shakespearean character of such plays as Titus Andronicus, Henry VI, Part I, and Troilus and Cressida. About them different views are held WITHIN both camps.

I am no lawyer or naturalist (as Partridge said, Non omnia possumus omnes), and cannot imagine why our Author is so accurate in his frequent use of terms of law--if he be Will; and so totally at sea in natural history--if he be Francis, who "took all knowledge for his province."

How can a layman pretend to deal with Shakespeare's legal attainments, after he has read the work of the learned Recorder of Bristol, Mr. Castle, K.C.? To his legal mind it seems that in some of Will's plays he had the aid of an expert in law, and then his technicalities were correct. In other plays he had no such tutor, and then he was sadly to seek in his legal jargon. I understand Mr. Greenwood to disagree on this point. Mr. Castle says, "I think Shakespeare would have had no difficulty in getting aid from several sources. There is therefore no prima facie reason why we should suppose the information was supplied by Bacon."

Of course there is not!