THE EMPEROR, Part 2.

By Georg Ebers

Volume 7.

CHAPTER V.

While Pollux and his mother, who was much grieved, waited for Euphorion's return, and while Papias was ingratiating himself with the Emperor by pretending still to believe that Hadrian was nothing more than Claudius Venator, the architect, Aurelius Verus, nicknamed by the Alexandrians, "the sham Eros" had lived through strange experiences.

In the afternoon he had visited the Empress, in the hope of persuading her to look on at the gay doings of the people, even if incognito; but Sabina was out of spirits, declared herself unwell, and was quite sure that the noise of the rabble would be the death of her. Having, as she said, so vivacious a reporter as Verus, she might spare herself from exposing her own person to the dust and smell of the town, and the uproar of men. As soon as Lucilla begged her husband to remember his rank and not to mingle with the excited multitude, at any rate after dark, the Empress strictly enjoined him to see with his own eyes everything that could be worth notice in the festival, and more particularly to give attention to everything that was peculiar to Alexandria and not to be seen in Rome.

After sunset Verus had first gone to visit the veterans of the Twelfth Legion who had been in the field with him against the Numidians, and to whom he gave a dinner at an eating-house, as being his old fellow- soldiers. For above an hour he sat drinking with the brave old fellows; then, quitting them, he went to look at the Canopic way by night, as it was but a few paces thither from the scene of his hospitality. It was brilliantly lighted with tapers, torches, and lamps, and the large houses behind the colonnades were gaudy with rich hangings; only the handsomest and stateliest of them all had no kind of decoration. This was the abode of the Jew Apollodorus.

In former years the finest hangings had decorated his windows, which had been as gay with flowers and lamps as those of the other Israelites who dwelt in the Canopic way, and who were wont to keep the festival in common with their heathen fellow-citizens as jovially as though they were no less zealous to do homage to Dionysus. Apollodorus had his own reasons for keeping aloof on this occasion from all that was connected with the holiday doings of the heathen. Without dreaming that his withdrawal could involve him in any danger, he was quietly sitting in his house, which was so splendidly furnished as to seem fitted for some princely Greek rather than for a Hebrew. This was especially the case with the men's living-room, in which Apollodorus sat, for the pictures on the walls and pavement of this beautiful hall--of which the roof, which was half open, was supported on columns of the finest porphyry-- represented the loves of Eros and Psyche; while between the pillars stood busts of the greatest heathen philosophers, and in the background a fine statue of Plato was conspicuous. Among all the Greeks and Romans there was the portrait of only one Jew, and this was that of Philo, whose intellectual and delicate features greatly resembled those of the most illustrious of his Greek companions.

In this splendid room, lighted by silver lamps, there was no lack of easy couches, and on one of these Apollodorus was reclining; a fine-looking man of fifty, with his mild but shrewd eyes fixed on a tall and aged fellow-Israelite who was pacing up and down in front of him and talking eagerly; the old man's hands too were never still, now he used them in eager gesture, and again stroked his long white beard. On an easy seat opposite to the master of the house sat a lean young man with pale and very regular finely-cut features, black hair and a black beard; he sat with his dark glowing eyes fixed on the ground, tracing lines and circles on the pavement with the stick he held in his hand, while the excited old man, his uncle, urgently addressed Apollodorus in a vehement but fluent