THE TRAIL OF THE SWORD

By Gilbert Parker

EPOCH THE SECOND

VII. FRIENDS IN COUNCIL VIII. AS SEEN THROUGH A GLASS, DARKLY IX. TO THE PORCH OF THE WORLD X. QUI VIVE! XI. WITH THE STRANGE PEOPLE XII. OUT OF THE NET

CHAPTER VII

FRIENDS IN COUNCIL

Montreal and Quebec, dear to the fortunes of such men as Iberville, were as cheerful in the still iron winter as any city under any more cordial sky then or now: men loved, hated, made and broke bargains, lied to women, kept a foolish honour with each other, and did deeds of valour for a song, as ever they did from the beginning of the world. Through the stern soul of Nature ran the temperament of men who had hearts of summer; and if, on a certain notable day in Iberville's life, one could have looked through the window of a low stone house in Notre Dame Street, Montreal, one could have seen a priest joyously playing a violin; though even in Europe, Maggini and Stradivarius were but little known, and the instrument itself was often called an invention of the devil.

The room was not ornamented, save by a crucifix, a pleasant pencil- drawing of Bishop Laval, a gun, a pair of snow-shoes, a sword, and a little shrine in one corner, wherein were relics of a saint. Of necessaries even there were few. They were unremarkable, save in the case of two tall silver candlesticks, which, with their candles at an angle from the musician, gave his face strange lights and shadows.

The priest was powerfully made; so powerful indeed, so tall was he, that when, in one of the changes of the music, a kind of exaltation filled him, and he came to his feet, his head almost touched the ceiling. His shoulders were broad and strong, and though his limbs were hid by his cassock, his arms showed almost huge, and the violin lay tucked under his chin like a mere toy. In the eye was a penetrating but abstracted look, and the countenance had the gravity of a priest lighted by a cheerful soul within. It had been said of Dollier de Casson that once, attacked by two renegade Frenchmen, he had broken the leg of one and the back of the other, and had then picked them up and carried them for miles to shelter and nursing. And it was also declared by the romantic that the man with the broken back recovered, while he with the shattered leg, recovering also, found that his foot, pointing backwards, "made a fool of his nose."

The Abbe de Casson's life had one affection, which had taken the place of others, now almost lost in the distance of youth, absence, and indifference. For France lay far from Montreal, and the priest-musician was infinitely farther off: the miles which the Church measures between the priest and his lay boyhood are not easily reckoned. But such as Dollier de Casson must have a field for affection to enrich. You cannot drive the sap of the tree in upon itself. It must come out or the tree must die-burst with the very misery of its richness.

This night he was crowding into the music four years of events: of memory, hope, pride, patience, and affection. He was waiting for some one whom he had not seen for these four years. Time passed. More and more did the broad sonorous notes fill the room. At length they ceased, and with a sigh he pressed the violin once, twice, thrice to his lips.

"My good Stradivarius," he said, "my pearless one!" Once again he kissed it, and then, drawing his hand across his eyes, he slowly wrapped the violin in a velvet cloth, put it away in an iron box, and locked it up. But presently he changed his mind, took it out again, and put it on the table, shaking his head musingly.

"He will wish to see it, maybe to hear it," he said half aloud.

Then he turned and went into another room. Here there was a prie-dieu in a corner, and above it a crucifix. He knelt and was soon absorbed.

For a time there was silence. At last there was a crunching of