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[Illustration: MADAME CHARLES MOULTON]
IN THE COURTS OF MEMORY
1858-1875
FROM CONTEMPORARY LETTERS
BY
L. DE HEGERMANN-LINDENCRONE
ILLUSTRATIONS
MADAME CHARLES MOULTON
THE FAY HOUSE, CAMBRIDGE, MASSACHUSETTS
EMPEROR NAPOLEON III
EMPRESS EUGENIE
DANIEL FRANCOIS ESPRIT AUBER
FACSIMILE OF LETTER FROM THE DUKE DE MORNY
JENNY LIND
THE MAIN FACADE--CHATEAU DE COMPIEGNE
SALLE DES FETES--CHATEAU DE COMPIEGNE
CHATEAU DE PIERREFONDS
THE MUSIC HALL--CHATEAU DE COMPIEGNE
FACSIMILE OF LETTER FROM JENNY LIND
FACSIMILE OF LISZT LETTER
MERIMEE'S SIGNATURE AND ANSWERS TO MADAME MOULTON'S QUESTIONS
LA SALLE DES PREUX--CHATEAU DE PIERREFONDS....
PRINCE METTERNICH'S SIGNATURE AND ANSWERS TO MADAME MOULTON'S QUESTIONS
NAPOLEON'S SIGNATURE AND ANSWERS TO MADAME MOULTON'S QUESTIONS
EMPRESS EUGENIE'S SIGNATURE AND ANSWERS TO MADAME MOULTON'S QUESTIONS
ELIHU WASHBURN
RUE DE RIVOLI, WHERE THE HOTEL CONTINENTAL NOW STANDS
RAOUL RIGAULT
FACSIMILE OF PASSPORT ISSUED TO MADAME MOULTON DURING THE COMMUNE
FACSIMILE OF THE GOVERNMENT PERMIT TO KEEP COWS
PLACE VENDOME AFTER THE FALL OF THE COLUMN
FACSIMILE OF TICKET TO PLACE VENDOME
FACSIMILE OF ENVELOPE ADDRESSED BY THE EMPRESS EUGENIE TO PRINCE
METTERNICH
GIUSEPPE GARIBALDI
PREFACE
These letters, written by me in my younger days to a dear and indulgent
mother and aunt, were returned to me after their death. In writing them I
allowed myself to go into the smallest details, even the most
insignificant ones, as I was sure that they would be welcome and
appreciated by those to whom they were addressed. They were certainly not
intended to be made public.
If I have decided, after much hesitation, to publish these letters, it is
because many of my friends, having read them, have urged me to do so,
thinking that they might be of interest, inasmuch as they refer to some
important events of the past, and especially to people of the musical
world whose names and renown are not yet forgotten.
LILLIE DE HEGERMANN-LINDENCRONE. BERLIN, _July, 1912._
NOTE
Madame de Hegermann-Lindencrone, the writer of these letters, which give
so vivid a picture of the brilliant court of the last Napoleon, is the
wife of the present Danish Minister to Germany. She was formerly Miss
Lillie Greenough, of Cambridge, Massachusetts, where she lived with her
grandfather, Judge Fay, in the fine old Fay mansion, now the property of
Radcliffe College.
As a child Miss Greenough developed the remarkable voice which later was
to make her well known, and when only fifteen years of age her mother took
her to London to study under Garcia. Two years later Miss Greenough became
the wife of Charles Moulton, the son of a well-known American banker, who
had been a resident in Paris since the days of Louis Philippe. As Madame
Charles Moulton, the charming American became an appreciated guest at the
court of Napoleon III. The Paris papers of the days of the Second Empire
are filled with the praises of her personal attractions and exquisite
singing.
After nine years of gaiety in the gayest city in the world came the war of
1870 and the Commune. Upon the fall of the Empire, Mrs. Moulton returned
to America, where Mr. Moulton died, and a few years afterward she married
M. de Hegermann-Lindencrone, at that time Danish Minister to the United
States, and later successively his country's representative at Stockholm,
Rome, and Paris.
Few persons of her day have known so many of those whom the world has
counted great. Among her friends have been not only the ruling monarchs of
several countries, and the most distinguished men and women of their
courts, but almost all the really important figures in the world of music
of the past half-century, among them Wagner, Liszt, Auber, Gounod, and
Rossini. And of many of these great men the letters give us glimpses of
the most fascinatingly intimate sort.
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