[Illustration: THE WARRIOR'S LAST RIDE (See the Battle of Deerfield, Vol. 1., p. 205) _Painted by Frederic Remington_]

THE HISTORY OF THE UNITED STATES FROM 1492 TO 1910

By JULIAN HAWTHORNE

VOLUME I

From Discovery Of America October 12, 1492

To

Battle Of Lexington April 19, 1775

CONTENTS OF VOLUME ONE

INTRODUCTION BEFORE DAWN

I. COLUMBUS, RALEIGH, AND SMITH

II. THE FREIGHT OF THE "MAYFLOWER"

III. THE SPIRIT OF THE PURITANS

IV. FROM HUDSON TO STUYVESANT

V. LIBERTY, SLAVERY, AND TYRANNY

VI. CATHOLIC, PHILOSOPHER, AND REBEL

VII. QUAKER, YANKEE, AND KING

VIII. THE STUARTS AND THE CHARTER

IX. THE NEW LEAF, AND THE BLOT ON IT

X. FIFTY YEARS OF FOOLS AND HEROES

XI. QUEM JUPITER VULT PERDERE

XII. THE PLAINS OF ABRAHAM AND THE STAMP ACT

XIII. THE PASSING OF THE RUBICON

XIV. THE SHOT HEARD ROUND THE WORLD

INTRODUCTION

When we speak of History, we may mean either one of several things. A savage will make picture-marks on a stone or a bone or a bit of wood; they serve to recall to him and his companions certain events which appeared remarkable or important for one or another reason; there was an earthquake, or a battle, or a famine, or an invasion: the chronicler himself, or some fellow-tribesman of his, may have performed some notable exploit. The impulse to make a record of it was natural: posterity might thereby be informed, after the chronicler himself had passed away, concerning the perils, the valor, the strange experiences of their ancestors. Such records were uniformly brief, and no attempt was made to connect one with another, or to interpret them. We find such fragmentary histories among the remains of our own aborigines; and the inscriptions of Egypt and Mesopotamia are the same in character and intention, though more elaborate. Warlike kings thus endeavored, from motives of pride, to perpetuate the memory of their achievements. At the time when they were inscribed upon the rock, or the walls of the tombs, or the pedestals of the statues, they had no further value than this. But after the lapse of many ages, they acquire a new value, far greater than the original one, and not contemplated by the scribes. They assume their proper place in the long story of mankind, and indicate, each in its degree, the manner and direction of the processes by which man has become what he is, from what he was. Thereby there is breathed into the dead fact the breath of life; it rises from its tomb of centuries, and does its appointed work in the mighty organism of humanity.

In a more complex state of society, a class of persons comes into being who are neither protagonists, nor slaves, but observers; and they meditate on events, and seek to fathom their meaning. If the observer be imaginative, the picturesque side of things appeals to him; he dissolves the facts, and recreates them to suit his conceptions of beauty and harmony; and we have poetry and legend. Another type of mind will give us real histories, like those of Herodotus, Thucydides, Tacitus and Livy, which are still a model in their kind. These great writers took a broad point of view; they saw the end from the beginning of their narrative; they assigned to their facts their relative place and importance, and merged them in a pervading atmosphere of opinion, based upon the organic relation of cause and effect. Studying their works, we are enabled to discern the tendencies and developments of a race, and to note the effects of civilization, character, vice, virtue, and of that sum of them all which we term fate.

During what are called the Dark Ages of Europe, history fell into the hands of that part of the population which alone was conversant with letters--the priestly class; and the annals they have left to us have none of the value which belongs to the productions of classical antiquity. They were again mere records; or they were mystical or fanciful tales of saints