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DONALD OGDEN STEWART
A PARODY
OUTLINE OF HISTORY
Wherein may be found a curiously irreverent treatment of
AMERICAN HISTORICAL EVENTS
Imagining them as they would be narrated
by American's most characteristic
contemporary authors
To
GILBERT HOLLAND STEWART, Jr.
Preface
Mr. H. G. Wells, in his "Outline of History," was of necessity forced
to omit the narration of many of the chief events in the history
of these United States. Such omissions I have in this brief
volume endeavored to supply. And as American history can
possibly best be written by Americans and as we have among us no
H. G. Wells, I have imagined an American history as written
conjointly by a group of our most characteristic literary figures.
Apologies are due the various authors whose style and, more
particularly, whose Weltanschauung I have here attempted to
reproduce; thanks are due The Bookman for permission to reprint
such of these chapters as appeared in that publication. I give
both freely. D. O. S.
Contents
I INTRODUCTION: A Critical Survey of American History In
the Manner of William Lyon Phelps
II CRISTOFER COLOMBO: A Comedy of Discovery In the Manner of
James Branch Cabell
III MAIN STREET: Plymouth, Mass In the Manner of Sinclair
Lewis
IV THE COURTSHIP OF, MILES STANDISH In the Manner of F. Scott
Fitzgerald
V THE SPIRIT OF '75: Letters of a Minute Man In the Manner of
Ring Lardner
VI THE WHISKY REBELLION In the Bedtime Story Manner of Thornton
W. Burgess
VII HOW LOVE CAME TO GENERAL GRANT In the Manner of Harold Bell
Wright
VIII CUSTER'S LAST STAND In the Manner of Edith Wharton
IX FOR THE FREEDOM OF THE WORLD: A Drama of the Great War Act
I--In the Manner of Mary Raymond Shipman Andrews Act 2-- In the
Manner of Eugene O'Neill
CHAPTER ONE
INTRODUCTION
A CRITICAL SURVEY OF AMERICAN HISTORY
In the Manner of William Lyon Phelps
On a memorable evening in the year 1904 I witnessed the opening
performance of Maude Adams in "Peter Pan". Nothing in the world
can describe the tremendous enthusiasm of that night! I shall
never forget the moment when Peter came to the front of the stage
and asked the audience if we believed in fairies. I am happy to
say that I was actually the first to respond. Leaping at once out
of my seat, I shouted "Yes--Yes!" To my intense pleasure the
whole house almost instantly followed my example, with the
exception of one man. This man was sitting directly in front of
me. His lack of enthusiasm was to me incredible. I pounded him
on the back and shouted, "Great God, man, are you alive! Wake up!
Hurrah for the fairies! Hurrah!" Finally he uttered a rather
feeble "Hurrah!" Childe Roland to the dark tower came.
That was my first meeting with that admirable statesman Woodrow
Wilson, and I am happy to state that from that night we became
firm friends. When Mr. Wilson was inaugurated in 1913 I called on
him at the White House, taking with me some members of my Yale
drama class. Each one of us had an edition of the president's
admirable "History of the American People", and I am glad to say
that he was kind enough to autograph each of the ten volumes for
all of us.
Early in Mr. Wilson's second term as president, just before the
break with Germany, I was sitting in the quiet of my library
rereading Browning's "Cristina". When I came to the third stanza
I leaped to my feet-- the thing seemed incredible, but here
before my eyes was actually Browning's prophetic message to
America in regard to the submarine sinkings.
"Oh, we're sunk enough here, God knows! But not so sunk that
moments--etc." It is an extraordinary evidence of the man's
genius that in 1840 he should have perhaps foreseen prophetically
the happenings of seventy-six years later! Not only did Browning
seem to know what was bound to happen, but he told us the remedy.
I sat right down and wrote to my good friend the president,
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