THE ANATOMY OF MELANCHOLY

What it is, with all the kinds, causes, symptoms, prognostics, and several cures of it.

In three Partitions, with their several Sections, numbers, and subsections.

Philosophically, medicinally, Historically, opened and cut up.

By Democritus Junior

With a Satyrical Preface conducing to the following Discourse.

The Sixth Edition, corrected and augmented by the Author.

Omne tulit punctum, qui miscit utile dulce.

London

Printed & to be sold by Hen. Crips & Lodo Lloyd at their shop in Popes-head Alley. 1652]

THE ANATOMY OF MELANCHOLY,

WHAT IT IS,

WITH

ALL THE KINDS, CAUSES, SYMPTOMS, PROGNOSTICS, AND SEVERAL CURES OF IT.

IN THREE PARTITIONS.

WITH THEIR SEVERAL

SECTIONS, MEMBERS, AND SUBSECTIONS, PHILOSOPHICALLY, MEDICALLY, HISTORICALLY OPENED AND CUT UP.

BY DEMOCRITUS JUNIOR.

WITH A SATIRICAL PREFACE, CONDUCING TO THE FOLLOWING DISCOURSE.

A NEW EDITION, CORRECTED, AND ENRICHED BY TRANSLATIONS OF THE NUMEROUS CLASSICAL EXTRACTS.

BY DEMOCRITUS MINOR.

TO WHICH IS PREFIXED AN ACCOUNT OF THE AUTHOR.

Omne tulit punctum, qui miscuit utile dulci.

He that joins instruction with delight, Profit with pleasure, carries all the votes.

HONORATISSIMO DOMINO

NON MINVS VIRTUTE SUA, QUAM GENERIS SPLENDORE,

ILLVSTRISSIMO,

GEORGIO BEKKLEIO,

MILITI DE BALNEO, BARONI DE BERKLEY, MOUBREY, SEGRAVE,

D. DE BRUSE,

DOMINO SUO MULTIS NOMINIBUS OBSERVANDO,

HANC SUAM

MELANCHOLIAE ANATOMEN,

JAM SEXTO REVISAM, D.D.

DEMOCRITUS JUNIOR.

ADVERTISEMENT TO THE LAST LONDON EDITION.

The work now restored to public notice has had an extraordinary fate. At the time of its original publication it obtained a great celebrity, which continued more than half a century. During that period few books were more read, or more deservedly applauded. It was the delight of the learned, the solace of the indolent, and the refuge of the uninformed. It passed through at least eight editions, by which the bookseller, as WOOD records, got an estate; and, notwithstanding the objection sometimes opposed against it, of a quaint style, and too great an accumulation of authorities, the fascination of its wit, fancy, and sterling sense, have borne down all censures, and extorted praise from the first Writers in the English language. The grave JOHNSON has praised it in the warmest terms, and the ludicrous STERNE has interwoven many parts of it into his own popular performance. MILTON did not disdain to build two of his finest poems on it; and a host of inferior writers have embellished their works with beauties not their own, culled from a performance which they had not the justice even to mention. Change of times, and the frivolity of fashion, suspended, in some degree, that fame which had lasted near a century; and the succeeding generation affected indifference towards an author, who at length was only looked into by the plunderers of literature, the poachers in obscure volumes. The plagiarisms of _Tristram Shandy_, so successfully brought to light by DR. FERRIAR, at length drew the attention of the public towards a writer, who, though then little known, might, without impeachment of modesty, lay claim to every mark of respect; and inquiry proved, beyond a doubt, that the calls of justice had been little attended to by others, as well as the facetious YORICK. WOOD observed, more than a century ago, that several authors had unmercifully stolen matter from BURTON without any acknowledgment. The time, however, at length arrived, when the merits of the _Anatomy of Melancholy_ were to receive their due praise. The book was again sought for and read, and again it became an applauded performance. Its excellencies once more stood confessed, in the increased price which every copy offered for sale produced; and the increased demand pointed out the necessity of a new edition. This is now presented to the public in a