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THE CONFLICT
I
Four years at Wellesley; two years about equally divided among
Paris, Dresden and Florence. And now Jane Hastings was at home
again. At home in the unchanged house--spacious,
old-fashioned--looking down from its steeply sloping lawns and
terraced gardens upon the sooty, smoky activities of Remsen City,
looking out upon a charming panorama of hills and valleys in the
heart of South Central Indiana. Six years of striving in the
East and abroad to satisfy the restless energy she inherited from
her father; and here she was, as restless as ever--yet with
everything done that a woman could do in the way of an active
career. She looked back upon her years of elaborate preparation;
she looked forward upon--nothing. That is, nothing but
marriage--dropping her name, dropping her personality,
disappearing in the personality of another. She had never seen a
man for whom she would make such a sacrifice; she did not believe
that such a man existed.
She meditated bitterly upon that cruel arrangement of Nature's
whereby the father transmits his vigorous qualities in twofold
measure to the daughter, not in order that she may be a somebody,
but solely in order that she may transmit them to sons. ``I
don't believe it,'' she decided. ``There's something for ME to
do.'' But what? She gazed down at Remsen City, connected by
factories and pierced from east, west and south by railways. She
gazed out over the fields and woods. Yes, there must be
something for her besides merely marrying and breeding--just as
much for her as for a man. But what? If she should marry a man
who would let her rule him, she would despise him. If she should
marry a man she could respect--a man who was of the master class
like her father--how she would hate him for ignoring her and
putting her in her ordained inferior feminine place. She glanced
down at her skirts with an angry sense of enforced masquerade.
And then she laughed --for she had a keen sense of humor that
always came to her rescue when she was in danger of taking
herself too seriously.
Through the foliage between her and the last of the stretches of
highroad winding up from Remsen City she spied a man climbing in
her direction--a long, slim figure in cap, Norfolk jacket and
knickerbockers. Instantly--and long before he saw her--there was
a grotesque whisking out of sight of the serious personality upon
which we have been intruding. In its stead there stood ready to
receive the young man a woman of the type that possesses physical
charm and knows how to use it--and does not scruple to use it.
For a woman to conquer man by physical charm is far and away the
easiest, the most fleeting and the emptiest of victories. But
for woman thus to conquer without herself yielding anything
whatsoever, even so little as an alluring glance of the eye--that
is quite another matter. It was this sort of conquest that Jane
Hastings delighted in--and sought to gain with any man who came
within range. If the men had known what she was about, they
would have denounced her conduct as contemptible and herself as
immoral, even brazen. But in their innocence they accused only
their sophisticated and superbly masculine selves and regarded
her as the soul of innocence. This was the more absurd in them
because she obviously excelled in the feminine art of inviting
display of charm. To glance at her was to realize at once the
beauty of her figure, the exceeding grace of her long back and
waist. A keen observer would have seen the mockery lurking in
her light-brown eyes, and about the corners of her full red lips.
She arranged her thick dark hair to make a secret, half- revealed
charm of her fascinating pink ears and to reveal in dazzling
unexpectedness the soft, round whiteness of the nape of her neck.
Because you are thus let into Miss Hastings' naughty secret, so
well veiled behind an air of earnest and almost cold dignity, you
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