tells us that he wrote such admirable letters that you would think the Muses themselves must speak in Latin. His literary associates numbered among them Caius Cornelius Tacitus, Silius Italicus the poet--whose veneration for Virgil was so great that he kept his master's birthday with more solemnity than his own, and visited his tomb on the Bay of Naples with as much respect as worshippers pay to a temple,--Martial the epigrammatist, Suetonius Tranquillus the historian, and others such as Passennus Paullus, Caninius Rufus, Virgilius Romanus, and Caius Fannius, whose works have not survived the wreck of time, though Pliny showers upon all of them enthusiastic and indiscriminate praise. Again, he enjoyed the friendship of a number of distinguished foreigners, professional rhetoricians and philosophers, who came back to Rome after their sentence of banishment, passed by Domitian, had been revoked by Nerva and Trajan. Euphrates, Artemidorus, and Isaeus were the three most famous, and their respective styles are carefully described by Pliny. Even more interesting perhaps is the gallery of Roman ladies, whose portraits are limned with so fine and discriminating a touch. Juvenal again is responsible for much misconception as to the part the women of Rome played in Roman society. The appalling Sixth Satire, in which he unhesitatingly declares that most women--if not all--are bad, and that virtue and chastity are so rare as to be almost unknown, in which he roundly accuses them of all the vices known to human depravity, reads like a monstrous and disgraceful libel on the sex when one turns to Pliny and makes the acquaintance of Arria, Fannia, Corellia, and Calpurnia. The characters of Arria and Fannia are well known; they are among the heroines of history. But in Pliny there are numerous references to women whose names are not even known to us, but the terms in which they are referred to prove what sweet, womanly lives they led. For example, he writes to Geminus: "Our friend Macrinus has suffered a grievous wound. He has lost his wife, who would have been regarded as a model of all the virtues even if she had lived in the good old days. He lived with her for thirty-nine years, without so much as a single quarrel or disagreement." "Vixit cum hac triginta novem annis sine jurgio, sine offensa. One is reminded of the fine line of Propertius, in which Cornelia boasts of the blameless union of herself and her husband, Paullus--

"Viximus insignes inter utramque facem."

This is no isolated example. One of the most pathetic letters is that in which Pliny writes of the death of the younger daughter of his friend Fundanus, a girl in her fifteenth year, who had already "the prudence of age, the gravity of a matron, and all the maidenly modesty and sweetness of a girl." Pliny tells us how it cut him to the quick to hear her father give directions that the money he had meant to lay out on dresses and pearls and jewels for her betrothal should be spent on incense, unguents, and spices for her bier. What a different picture from anything we find in Juvenal, who would fain have us believe that Messalina was the type of the average Roman matron of his day!

Such were some of Pliny's friends. His distinguished position at the Bar drew him a host of clients; his official status and his friendship with Trajan gave him the entree into any society he liked. He was, moreover, a man of considerable wealth, generous, even lavish, with his money, and his disposition was one of the kindest. He was always ready to believe the best of any one, always prepared to do a friend a service, devoted to his wife and her relations, and anxious to deal justly and honourably with all men. We have called him vain, and vain he undoubtedly was to an extraordinary degree. But Pliny's vanity is never offensive. The very naivete with which he acknowledges his failing disarms all criticism and merely renders it amusing. Indeed, it