scalped by a black bear. Then there was Mom' Grace, who was for a time my mother's nurse, and whom I had supposed to be dead, but who greeted me when I did come to Roswell, very respectable, and apparently with years of life before her. The two chief personages of the drama that used to be repeated to us were Daddy Luke, the Negro overseer, and his wife, Mom' Charlotte. I never saw either Daddy Luke or Mom' Charlotte, but I inherited the care of them when my mother died. After the close of the war they resolutely refused to be emancipated or leave the place. The only demand they made upon us was enough money annually to get a new "critter," that is, a mule. With a certain lack of ingenuity the mule was reported each Christmas as having passed away, or at least as having become so infirm as to necessitate a successor--a solemn fiction which neither deceived nor was intended to deceive, but which furnished a gauge for the size of the Christmas gift.

My maternal grandfather's house was on the line of Sherman's march to the sea, and pretty much everything in it that was portable was taken by the boys in blue, including most of the books in the library. When I was President the facts about my ancestry were published, and a former soldier in Sherman's army sent me back one of the books with my grandfather's name in it. It was a little copy of the poems of "Mr. Gray"--an eighteenth-century edition printed in Glasgow.

On October 27, 1858, I was born at No. 28 East Twentieth Street, New York City, in the house in which we lived during the time that my two sisters and my brother and I were small children. It was furnished in the canonical taste of the New York which George William Curtis described in the /Potiphar Papers/. The black haircloth furniture in the dining-room scratched the bare legs of the children when they sat on it. The middle room was a library, with tables, chairs, and bookcases of gloomy respectability. It was without windows, and so was available only at night. The front room, the parlor, seemed to us children to be a room of much splendor, but was open for general use only on Sunday evening or on rare occasions when there were parties. The Sunday evening family gathering was the redeeming feature in a day which otherwise we children did not enjoy--chiefly because we were all of us made to wear clean clothes and keep neat. The ornaments of that parlor I remember now, including the gas chandelier decorated with a great quantity of cut-glass prisms. These prisms struck me as possessing peculiar magnificence. One of them fell off one day, and I hastily grabbed it and stowed it away, passing several days of furtive delight in the treasure, a delight always alloyed with fear that I would be found out and convicted of larceny. There was a Swiss wood- carving representing a very big hunter on one side of an exceedingly small mountain, and a herd of chamois, disproportionately small for the hunter and large for the mountain, just across the ridge. This always fascinated us; but there was a small chamois kid for which we felt agonies lest the hunter might come on it and kill it. There was also a Russian moujik drawing a gilt sledge on a piece of malachite. Some one mentioned in my hearing that malachite was a valuable marble. This fixed in my mind that it was valuable exactly as diamonds are valuable. I accepted that moujik as a priceless work of art, and it was not until I was well in middle age that it occurred to me that I was mistaken.

Now and then we children were taken round to our grandfather's house; a big house for the New York of those days, on the corner of Fourteenth Street and Broadway, fronting Union Square. Inside there was a large hall running up to the roof; there was a tessellated black-and-white marble floor, and a circular staircase round the sides of the hall, from the top floor down. We children much admired both