|
day an d travelling by night, I kept on my way until I gained that lake
among the rocks, where the guards of the army came forward and rescued
me from death.'
She ceased. Throughout the latter portion of her narrative her
demeanour had been calm and sad; and as she dwelt, with the painful
industry of grief, over each minute circumstance connected with the
bereavements she had sustained, her voice softened to those accents of
quiet mournfulness, which make impressive the most simple words, and
render musical the most unsteady tones. It seemed as if those tenderer
and kinder emotions, which the attractions of her offspring had once
generated in her character, had at the bidding of memory become
revivified in her manner while she lingered over the recital of their
deaths. For a brief space of time she looked fixedly and anxiously upon
the countenance of Hermanric, which was half averted from her, and
expressed a fierce and revengeful gloom that sat unnaturally on it noble
lineaments. Then turning from him, she buried her face in her hands,
and made no effort more to attract him to attention or incite him to
reply.
This solemn silence kept by the bereaved woman and the brooding man had
lasted but a few minutes, when a harsh, trembling voice was heard from
the top of the waggon, calling at intervals, 'Hermanric! Hermanric!'
At first the young man remained unmoved by those discordant and
repulsive tones. They repeated his name, however, so often and so
perseveringly, that he noticed them ere long; and rising suddenly, as if
impatient of the interruption, advanced towards the side of the waggon
from which the mysterious summons appeared to come.
As he looked up towards the vehicle the voice ceased, and he saw that
the old woman to whom he had confided the child was the person who had
called him so hurriedly but a few moments before. Her tottering body,
clothed in bear-skins, was bent forward over a large triangular shield
of polished brass, on which she leant her lank, shrivelled arms. Her
head shook with a tremulous, palsied action; a leer, half smile, half
grimace, distended her withered lips and lightened her sunken eyes.
Sinister, cringing, repulsive; her face livid with the reflection from
the weapon that was her support, and her figure scarcely human in the
rugged garments that encompassed its gaunt proportions, she seemed a
deformity set up by evil spirits to mock the majesty of the human form--
an embodied satire on all that is most deplorable in infirmity and most
disgusting in age.
The instant she discerned Hermanric, she stretched her body out still
farther over the shield; and pointing to the interior of the waggon,
muttered softly that one fearful and expressive word--dead!
Without waiting for any further explanation, the young Goth mounted the
vehicle, and gaining the old woman's side, saw stretched on her
collection of herbs--beautiful in the sublime and melancholy stillness
of death--the corpse of Goisvintha's last child.
'Is Hermanric wroth?' whined the hag, quailing before the steady,
rebuking glance of the young man. 'When I said that Brunechild was
greater than Hermanric, I lied. It is Hermanric that is most powerful!
See, the dressings were placed on the wounds; and, though the child has
died, shall not the treasures that were promised me be mine? I have
done what I could, but my cunning begins to desert me, for I am old--
old--old! I have seen my generation pass away! Aha! I am old,
Hermanric, I am old!'
When the young warrior looked on the child, he saw that the hag had
spoken truth, and that the victim had died from no fault of hers. Pale
and serene, the countenance of the boy showed how tranquil had been his
death. The dressings had been skilfully composed and carefully applied
to his wounds, but suffering and privation had annihilated the
feebleness of human resistance in their march toward the last dread
|
|