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See also: AIDA, an acronym used in marketing; there is also a town and district in Japan called Aida. Aida is an opera by Giuseppe Verdi, which tells the story of Aida, an Ethiopian princess captured into slavery in Egypt. A military commander, Radames, struggles to choose between his love for her, his loyalty to the Pharaoh, and his love for the Pharaoh's daughter. The opera is in four acts, with text by Ghislanzoni. The action takes place in Egypt during the reign of the Pharaohs. Ismail Pasha, Khedive of Egypt, commissioned Verdi to write the opera, paying him 80,000 francs. It originally was planned to premier with the opening of the Suez Canal but was not finished in time. It was first produced at Cairo in the new Grand Opera house on December 24, 1871 to great acclaim and continues to be a favorite standard in the operatic repertoire. Aida is also a musical in two acts with music by Elton John; lyrics by Tim Rice; book by Linda Woolverton, Robert Falls, and David Henry Hwang. First produced on Broadway in 2000. The musical is loosely based on the opera.
Plot synopsisCharacters
ACT I
Aida, the daughter of the Ethiopian King Amonasro, lives at Memphis as a slave. Her Egyptian captors are unaware of her true identity. Her father has made an incursion into Egypt to deliver her from servitude. But since her capture, Aida has fallen in love with Radames, a young warrior (Romanza, Radames: "Heavenly Aïda"). She has a dangerous rival in Amneris, the daughter of the Egyptian king. (Duet, Radames, Amneris: "In thy visage I trace.") Incited by Amneris, the high priest Ramfis (Terzett, Aida, Amneris, Radames: "Oh fate o'er Egypt looming") declares that Radames has been selected by Isis to be the leader of the army against Amonasro. (Battle Hymn: "On ! Of Nilus' sacred river, guard the shores.") Aida's heart is torn between her love for her father and for Radames. (Scene, Aïda: "Return a conqueror.")
Solemn ceremonies and dance of priestesses. (Chorus of priestesses: "O mighty Ptha.") Installation of Radames to the office of commander-in-chief. (Prayer, Ramfis and chorus: "O mighty one, guard and protect!") ACT II
Amneris' chamber. Festal dances and music. (Chorus of women: "Our songs his glory praising.") Amneris receives her slave Aida and cunningly tricks her into professing her love for Ramades by lying and declaring that Ramades has fallen in battle. Aida's distress upon hearing this news betrays her love of Ramades. (Scene and duet, Amneris, Aida: "The chances of war afflict thy people, poor Aida;" Aida: "O love, O joy tormenting.")
Radames returns victorious. (Chorus, king and people: "Glory to Egypt, to Isis!") Grand triumphal march. The Egyptian king decrees that on this day the triumphant Ramades may have anything he wishes. The Ehtiopian captives are marched in. Amonasro appears among them. Aida immediately rushes to her father, but their true identities are still unknown to the Egyptians. Amonasro declares that the Ethiopian king has been slain in battle. (Amonasro: "This my garment has told you already.") Out of his love for Aida, Ramades uses the King's grant to release the prisoners. The grateful King of Egypt declares him his successor and the betrothed of his daughter. Aida and Amonasro remain as hostages to ensure that the Ethiopians do not avenge their defeat. ACT III.
(Chorus of priests and priestesses: "O thou who to Osiris art!") Amonasro and Aida are held as hostages (Aria, Aida: "Oh, my dear country!") and he forces her to learn from Radames the position of the Egyptian army. (Duet, Aida, Amonasro: "Once again shalt thou gaze.") Radames only seemingly consents to become the husband of Amneris, and is persuaded through love for Aida to give her the information required by her father. (Duet, Radames, Aida: "Again I see thee.") When Amonasro reveals his identity and flees with Aida. the despairing Radames allows himself to be taken prisoner. (Terzett, Amonasro, Aida, Radames: "I am dishonoured.") ACT IV.
Amneris (Scene, Amneris: "My hated rival has escaped me") desires to save Radames, but he repulses her (Duet, Amneris, Radames: "Now to the hall the priests proceed"), and is condemned to death. The sentence is that he shall be buried alive. (Judgment scene, Amneris, Ramfis and chorus: "Heavenly spirit, descend.")
Aida has come to die with Radames. (Scene and duet, Radames, Aida: "The fatal stone now closes over me.") They accept their terrible fate (Radames: "To die, so pure and lovely"), bid farewell to earth and its sorrows, and await the Dawn, while Amneris prays above their tomb in the midst of the priestly ceremonies, and the jubilant dance of the priestesses. (Finale, chorus of priests and priestesses: "Almighty Ptha.") Plot after The Opera Goer's Complete Guide by Leo Melitz, 1921 version. and the 6th edition of The Victrola Guide to the Opera.
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