Enid Blyton (August 11, 1897 - November 28, 1968) was a British children's author. She is noted particularly for numerous series of books, based on recurring characters and designed for different age groups.

Her prolific output involved mainly escapist children's fantasy, often but not always involving the supernatural. Her books were immensely popular in Britain and Australia, and were translated into 40 languages, including Spanish, French, German, Japanese and Hebrew. Translated versions became and have remained extremely popular in many parts of Europe.

Best known of her works are: the Noddy books, The Famous Five, The Five Find-Outers, The Mystery Series, The Adventure Series, The Secret Seven, Malory Towers, The St. Clare's series, The Naughtiest Girl series, The Magic Faraway Tree series, The Wishing-Chair series. She wrote hundreds of other books for young and older children.

An estimate puts her total book publication at around 600 titles. This does not include decades of magazine writing. It is said at one point she was producing 10,000 words a day. Such astonishingly prolific output led many to believe that some of her work was ghost written, but such ghost writers have not emerged.

In her last few years of life she suffered from Alzheimer's Disease, and her work rate rapidly declined almost to nothing.

Subject matter and controversies

Blyton's books managed to tap into the dreams of pre-pubertal children. The code words are 'mystery' and 'adventure'. Children are free to play and explore without adult interference, more clearly than in most authors before or since.

The books are very much of their time, particularly the 1950s titles. They reflect a none-too-subtle version of Britain's class system, as in rough versus well-behaved. Undoubtedly present are stereotypes on gender. Some argue, from a current perspective that the portrayal of golliwogs, amongst others, were racism.

It was frequently reported, in the 1950s and also from the 1980s onwards, that various children's libraries removed some of Blyton's works from the shelves. The history of such 'Blyton bans' is confused. Some librarians certainly at times felt that Blyton's restricted use of language, a conscious product of her teaching background, militated against appreciation of more literary qualities.

Much play has been made of naive language permitting double entendre (e.g. a tendency to imagine sexual connotations, for instance, Noddy "jumping into bed" with Big Ears, another character, clearly not intended by the author). This is probably journalistic froth. This whole area is subject to urban myths and the carefree retelling in newspapers of anecdotes as factual (recycling the old press cuttings, in fact) making it somewhat difficult to discern the truth.

Modern reprints of some books have had changes made (such as the replacement of golliwogs with teddy bears). This is a publishers' reaction to contemporary attitudes on racial stereotypes, and probably enforced by market conditions. It has itself drawn some criticism, from those adults who view it as tampering with an important piece of the history of children's literature.

References

• Enid Blyton (1952) The Story of My Life
• Barbara Stoney (1974) Enid Blyton, 1992 The Enid Blyton Biography, Hodder, London ISBN 0 340 58348 7 (paperback) ISBN 0 340 16514 6
• S. G. Ray (1982) The Blyton Phenomenon
• Bob Mullan (1987) The Enid Blyton Story
• George Greenfield (1998) Enid Blyton

da:Enid Blyton de:Enid Blyton eo:Enid BLYTON ja:イーニッド・ブライトン sv:Enid Blyton