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Experimental music is any music that challenges the commonly accepted notions of what music is. There is an overlap with avant-garde music. John Cage was a pioneer in experimental music and defined and gave credibility to the form. As with other edge forms that push the limits of a particular form of expression, there is little agreement as to the boundaries of experimental music, even amongst its practitioners. On the one hand, some experimental music is an extension of traditional music, adding unconventional instruments, modifications to instruments, noises, and other novelties to orchestral compositions. At the other extreme, there are performances that most listeners would not characterize as music at all.
KeywordsAleatoric Music- Music in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Graphic Score- Music which is written in the form of diagrams or drawings rather than using “conventional” notation (with staves, clefs, notes etc). Microtones- A pitch interval that is smaller than a semitone. This includes quarter tones and intervals even smaller. Composers have experimented in dividing the octave into 31 and 53 microtones, and using this scale as a basis for composition. TechniquesSome of the more common techniques include:
While much discussion of experimental music centers on definitional issues and its validity as a musical form, the most frequently performed experimental music is entertaining and, at its best, can lead the listener to question core assumptions about the nature of music. The London based independent radio station Resonance 104.4FM, founded by the London Musicians Collective, frequently broadcasts experimental and free improvised performance works. David Cope (1997), describes experimental music as that, "which represents a refusal to accept the status quo." He describes a "basic outline" from "simple to...complex":
Notable composers and performers of experimental music
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