|
The German Fach (pl. Fächer) system is a method of classifying singers, primarily opera singers, by the range, weight, and color of their voices. It is primarily used in Europe, especially in German-speaking countries and in repertory opera houses.
The Fach system is a convenience for singers and opera houses. A singer who is identified as being of a certain Fach will usually be asked to sing only roles that belong to that Fach. This prevents a singer from being asked to sing roles which he or she is incapable of performing. Opera houses keep lists of available singers by Fach so that when they are casting roles for an upcoming production, they do not inadvertently contact performers who would be inappropriate for the part.
Below is a list of Fächer, their ranges as written on sheet music, and their common roles. When two names for the Fach are given, the first is in more common use today. Where possible, an English equivalent of each Fach is listed, however not all Fächer have ready English equivalents. Note that some roles can be sung by more than one Fach.
Todo: List of roles and English equivalents
Deutsche Soubrette
Range: From middle C to the C two octaves above middle C
Koloratursopran / Koloratur Soubrette
Range: From middle C to the F two-and-a-half octaves above middle C
Dramatische Koloratursopran
Range: From middle C to the F two-and-a-half octaves above middle C
Lyrischer Sopran
Range: From middle C to the C two octaves above middle C
Jugendlich Dramatischer Sopran
Range: From middle C to the C two octaves above middle C
Charaktersopran
Range: From the B below middle C to the C two octaves above middle C
Dramatischersopran
Range: From the B below middle C to the C two octaves above middle C
Hochdramatischersopran
Range: From the F below middle C to the C two octaves above middle C
Lyrischer Mezzosopran / Spielalt
Range: From the G below middle C to the B above middle C
Dramatischer Mezzosopran
Range: From the G below middle C to the B above middle C
Dramatischer Alt
Range: From the G below middle C to the B above middle C
Tiefer Alt
Range: From the F below middle C to the A above middle C
Spieltenor
Range: From middle C to the B two octaves above middle C (sung one octave lower)
Lyrischertenor
Range: From middle C to the C two octaves above middle C (sung one octave lower)
Characktertenor
Range: From the B below middle C to the C two octaves above middle C (sung one octave lower)
Jugendlicher Heldentenor
Range: From middle C to the C two octaves above middle C (sung one octave lower)
Heldentenor / Tenorbariton
Range: From the B below middle C to the B two octaves above middle C (sung one octave lower)
Lyrischer Bariton / Lyric Baritone
Range: From the B below middle C to the G one-and-a-half octaves above middle C (sung one octave lower)
Description: A sweeter, milder sounding baritone voice, lacking in harshness.
Typical role(s): Figaro from Mozart's "Le Nozze de Figaro", Marcello or Schuenard from Puccini's "La Boheme".
Charakterbariton
Range: From the A below middle C to the G#/Ab one-and-a-half octaves above middle C (sung one octave lower)
Cavalierbariton / Dramatic Baritone
Range: From the A below middle C to the G#/Ab one-and-a-half octaves above middle C (sung one octave lower)
Description: Harsher, more aggressive and pronounced than the Lyric baritone.
Typical Role(s): Tonio from Leoncavallo's "Pagliacci".
Heldenbariton / Hoherbass
Range: From the G below middle C to the F# one-and-a-half octaves above middle C (sung one octave lower)
Spielbaß / Baßbuffo
Range: From the E one-and-a-half octaves below middle C to the F above middle C
Schwerer Spielbaß
Range: From the C two octaves below middle C to the F above middle C
Charakterbaß / Baßbariton
Range: From the E one-and-a-half octaves below middle C to the F above middle C
Serioserbaß / Schwarzerbaß
Range: From the C two octaves below middle C to the F above middle C
External links
|