Music_of_Karnataka Music_of_Karnataka

Music of Karnataka - Definition and Overview

Music of India
Genres
Classical (Carnatic and Hindustani)
Bhajan
Bhangra
Filmi
Ghazal
Rock, Pop and Hip hop
Timeline and Samples
Awards Bollywood Music Awards - Punjabi Music Awards
Charts
Festivals Sangeet Natak Akademi – Thyagaraja AradhanaCleveland Thyagaraja Aradhana
Media Sruti, The Music Magazine
National anthem "Jana Gana Mana", also national song "Vande Mataram"
Regional music
Andaman and Nicobar Islands - Andhra Pradesh – Arunachal Pradesh – AssamBiharChhattisgarhGoaGujaratHaryanaHimachal PradeshJammu – Jharkhand – KarnatakaKashmirKeralaMadhya PradeshMaharashtraManipurMeghalayaMizoramNagalandOrissaPunjabRajasthanSikkimTamil NaduTripura – Uttar Pradesh – UttaranchalWest Bengal
Other South Asian music
Afghanistan - Bangladesh - Bhutan - Maldives - Nepal - Pakistan - Sri Lanka

Karnataka is a state of India with a long tradition of innovation in the fields of both Carnatic and Hindustani classical music.

Basaveshwara, King of Kalyana, leader of the Bhakti Movement and Prime Minister of Bijjala, created his Vachanas, an integral part of the Indian classical music's development during this period, which also saw the rise of composers like Chandraja, Shantala, Akka Mahadevi and Allama. Later, Vidyaranya's Sangitasara, Ventamakhin's Chaturdandi Prakashika and Chaturkallinatha's Sangitaratnakara further refined these traditions.

With the rise of Vaishnavism and the Haridasa movement came Karnataka composers like Purandaradasa, whose Kannada language works were complex, devotional and philosophical, as well as Kanakadasa, Vijayadasa and Jagannathadasa. Later came the Wodeyars of Mysore, great patrons of the arts, who helped support composers like Jayachamarajendra Wodeyar, Veene Sheshanna, Veene Subbanna, Bidaram Krishnappa, Muthiah Bhagavatar, Bhairavi Kempegowda, Mysore Vasudevaraya and T. Chowdaih.

Hindustani classical musicians from Karnataka include Mallikarjun Mansoor, Bhimsen Joshi, Basavraj Rajguru and Gangubai Hanagal.

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