Music_of_Tennessee Music_of_Tennessee

Music of Tennessee - Definition and Overview

Music of the United States
Local music
AK - AL - AR - AS - AZ - CA - CO - CT - DC - DE - FL - GA - GU - HI - IA - ID - IL - IN - KS - KY - LA - MA - MD - ME - MI - MN - MO - MP - MS - MT - NC - ND - NE - NH - NM - NV - NJ - NY - OH - OK - OR - PA - PR - RI - SC - SD - TN - TX - UT - VA - VI - VT - WA - WI - WV - WY
History (Timeline) Ethnicities
Before 1900 African American
1900-1940 Native American (Inuit and Hawaiian)
40s and 50s Latin (Tejano and Puerto Rican)
60s and 70s Cajun and Creole
80s to the present Other immigrants (Jewish, European, South and East Asian, modern African and Middle-Eastern)
Genres (Samples): Classical - Hip hop - Rock - Pop - Folk

Tennessee's most famous contribution to American culture is surely the status of Nashville as the long-time capital of country music. By the 1950s, the city's record labels dominated the genre with slick pop-country (Nashville sound). Performers reacting against the Nashville sound formed their own scenes in Lubbock, Texas and Bakersfield, California, the latter of which (Bakersfield sound) became the most popular type of country by the late 1960s, led by Merle Haggard. Nashville's predominance in county music was regained by the early 1980s, when Dwight Yoakam and other neo-traditionalists entered the charts.

Punk rock

Punk rock was never strongly embraced in Tennessee, a highly conservative state. A few hardcore punk bands gained a following, including Committee for Public Safety (Nashville) and STD (Knoxville).

References

Blush, Steven. American Hardcore: A Tribal History. Feral House. 2001. ISBN 0-922915-717-7

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